48. Goth Girl Rising (hc), by Barry Lyga
49. Imager (ua), by L. A. Modessitt, Jr
50. The Girl with The Dragon Tattoo (ua), by Steig Larrson
51. Left Behind: The Kids #14 (pb), by Jerry B. Jenkins & Time LaHaye
52. Left Behind: The Kids #15 (pb), by Jerry B. Jenkins & Time LaHaye
The observations (and ramblings) of a Real Person searching for the Real God in the Real World.
Thursday, September 30, 2010
Monday, September 27, 2010
Pascal on Man's True Good
from Penses 148:
"God alone is man's true good, and since man abandoned him, it is a strange fact that nothing in nature has been found to take his place: stars, sky, earth, elements, plants, cabbages, leeks, animals, insects, calves, serpents, fever, war, plague, famine, vice, adultery. Since losing his true good, man is capable of seeing it in anything, even his own destruction, although it is so contrary at once to God, to reason, and to nature."
"God alone is man's true good, and since man abandoned him, it is a strange fact that nothing in nature has been found to take his place: stars, sky, earth, elements, plants, cabbages, leeks, animals, insects, calves, serpents, fever, war, plague, famine, vice, adultery. Since losing his true good, man is capable of seeing it in anything, even his own destruction, although it is so contrary at once to God, to reason, and to nature."
Monday, September 13, 2010
Favorite. Band. Ever.
In 1990, the self-titled debut album Iona was released in the US. I had heard one song (Dancing on the Wall) on the local Christian radio station, and thought it was it was a cool sounding song. There were sounds in there that I had never heard before, from the Celtic harp to the Uillean pipes.
But it was an aritcle in CCM Magazine that stoked my intrigue about this band. In this article, Irish singer Joanne Hogg talked about the story behind the concept album. That first album focused on the history of the island of Iona, and the critical role the early Celtic saints Columba & Cuthbert played in preserving. This was revelatory stuff for me, not raissed in the church, and then brought into the evangelical movement, which tends to not care much about church history. By the time their second album came out, based on the ancient illuminated manuscript, The Book of Kells, I was hooked forever.
I am convinced that the reason I am so interested in church history and the ancient-future movement is because of Iona. The stories that they told in their songs captured my imagination, and showed me what a blind spot I had toward the stories of the forebears of my faith.
I drove 2+ hours to see Iona play in 1997, one of the highlights of my concert-going experiences. The pure musicianship that I saw stunned me. The 5 members of the band played more than a dozen separate instruments, all with skill and passion that put other bands to shame. They spent the next 13 years NOT touring in the US.
In the years since, my wife and daughter have become big fans of the band, as well, and we bought their Live in London concert DVD a few years ago. In a music class in probably 9th grade, my daughter did a report on the band.
We were planning on attending the 2010 Cornerstone Festival, and when I went to order the tickets in early December, I scanned the band list and saw that Iona was playing, and my jaw dropped. I showed my wife, and her jaw dropped. I printed that page and wrapped it with the tickets under the Christmas tree, that my daughter opened up. When she saw who was playing, her jaw dropped.
We couldn't wait.
But it was an aritcle in CCM Magazine that stoked my intrigue about this band. In this article, Irish singer Joanne Hogg talked about the story behind the concept album. That first album focused on the history of the island of Iona, and the critical role the early Celtic saints Columba & Cuthbert played in preserving. This was revelatory stuff for me, not raissed in the church, and then brought into the evangelical movement, which tends to not care much about church history. By the time their second album came out, based on the ancient illuminated manuscript, The Book of Kells, I was hooked forever.
I am convinced that the reason I am so interested in church history and the ancient-future movement is because of Iona. The stories that they told in their songs captured my imagination, and showed me what a blind spot I had toward the stories of the forebears of my faith.
I drove 2+ hours to see Iona play in 1997, one of the highlights of my concert-going experiences. The pure musicianship that I saw stunned me. The 5 members of the band played more than a dozen separate instruments, all with skill and passion that put other bands to shame. They spent the next 13 years NOT touring in the US.
In the years since, my wife and daughter have become big fans of the band, as well, and we bought their Live in London concert DVD a few years ago. In a music class in probably 9th grade, my daughter did a report on the band.
We were planning on attending the 2010 Cornerstone Festival, and when I went to order the tickets in early December, I scanned the band list and saw that Iona was playing, and my jaw dropped. I showed my wife, and her jaw dropped. I printed that page and wrapped it with the tickets under the Christmas tree, that my daughter opened up. When she saw who was playing, her jaw dropped.
We couldn't wait.
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